…have read my blog! Thanks to all of you!
Photo of the week #12.2009: Geled shot of “Messe Hamburg” building
•Thursday, 23. July 2009 • Leave a Comment
Messe Hamburg, ursprünglich hochgeladen von martin zeile photography
I made this photo just for some lighting experiment. COnditions were far from perfect, but it turned out quite satisfoctory. I used on camera flash with orange gel on it to create a deep blue sky and to turn the light gray building wall to orange.
It was merely sunset and still there was a high amount of available light but the concept seems to work well. I will try this in the future in a less lighty situation for sure.
Vernissage und Ausstellung
•Monday, 20. July 2009 • 1 CommentWell this one in German…
Hallo alle zusammen!
Ich werde am 15.9.2009 meine erste Ausstellung in Magdeburg eröffnen. Sie geht dann bis zum 15.11.2009. Nähere Details findet Ihr unter
http://ausstellung.martinzeile.de
Ich hoffe es kommen viele!
U2 live in Berlin totally rocked!
•Sunday, 19. July 2009 • Leave a Comment
Yesterday I had the opportunity to see U2 live in Berlin. Awesome! I did not bring along my camera but my iPhone, bad quality but you can get a little impression. If you can get hold of any ticket and you’re fan I highly recommend seeing the concert.
For me myself, wanting to go to a U2 concert for more than 15 years it was the fulfillment of a little dream. Thank you Iris for making it come true!
Are you an iPhone photographer? Check this out…
•Wednesday, 15. July 2009 • Leave a Comment
If you are also in photographing with your iPhone check out iphoneography website
They have a lot of reviews on photography tools for the iPhone. I think it’s worth a look. I also added this one to my links. Good job folks!
Photo of the week #11.2009: Orchid – Paphiopedilum
•Monday, 13. July 2009 • Leave a Comment
Orchid – Paphiopedilum, ursprünglich hochgeladen von martin zeile photography
I shot this one for the “first assignment of studio@home” over at www.diyphotography.net where you should light something that makes you smile. One and only thing you have to do to take part in the competition is that you have to shoot it in front af a DIY backdrop (a white bedsheet in my case hanging from a door).
Why this makes me smile:
I bought this particular orchid half a year ago. It had one bud but it never opend but dried and I could never see it blossom.
In fact I was never very good with orchids, I think I cared badly as well.
When I changed location and the pot a good two month ago I was reaaly surprised when one orchid after another come to life once more.
And finally this one (!) of which my grandmother always said they were hard to care of – and she was an orchid enthusiast with more than 100 all over her place!
Well that’s why it makes me smile – I managed to get something thought gone forever back to beuatiful life!
—
Tech info:
Shot this Orchid with DIY white backdrop (bed sheet on door) and 4 speedlights (3 Nikon SB-26, 1 Metz AF-58)).
-1st and 2nd positioned on either back side, both with gobo so that light does not spill into my lens (1/16th power each).
-3rd was mounted rigth to light the background and blow it to white @1/2 power.
-4th (Metz) was mounted into a 22″ softbox @1/32 power.
Shot with Canon 5D Mark II with Canon 100mm Makro lens @f10, 1/160th sec, ISO 200.
Setup:

Review – Teleconverters for Canon: Canon EF 1.4x / EF 2.0x II & Kenko Teleplus PRO 300 DG 1.4x Extender: Comparison of sharpness / usefulness
•Wednesday, 8. July 2009 • Leave a Comment
Update 28/07/2009
Before I begin…
After this article has been read over 400 times in the last few weeks I feel quite satisfied – but… No one left a comment. How in the world should I know if I could have done something a better and / or different way to further improve articles like that. I’m planning to release more of that, but without input it is really hard. So please, if you have ideas, suggestions or anything else, leave a comment!
Anyway, thanks for reading!
—
PURPOSE
Recently I thought about getting a big lens for animal, bird or sports photography. My Canon EF 70-200 f/2.8 L IS USM is great, but it lacks of higher zoom range. I looked at different sites on quite a lot of reviews. I was sure I wanted image stabilizer. The inner circle of lenses in the end were:
- 1) Canon 300mm f/4 L IS USM
- 2) Canon 300mm f/2.8 L IS USM
- 3) Canon EF 100-400 mm f/4.5-5.6 L IS USM
- 4) Sigma AF 80-400mm f/4.5-5.6 EX APO OS
- 5) Sigma 150-500 mm f/5-6.3 DG OS APO HSM
The first one is rather affordable with around 1.150 €, the second is way out of my budget with 3.900€. 3rd cost about 1.400€, 4th and 5th you can get as cheap as 820€ and respectively 900€. But then I was thinking about carrying all that stuff along. Another clunky lens would not even fit in my backpack, and I just love my 70-200 2.8 too much to leave it at home. Therefore I looked a little deeper in Teleconverters / Extenders. I had one at home, the kenko, and the others I was quick to buy (and to return after the test).
The good: low costs (only about 300€ for per extender)
The bad: Loss in aperture compared to some lenses and loss of image quality (??? really??? That’s what I want to know!)
More after the break…
—
WHAT IS YET OUT THERE
I heard a lot about image quality loss, espacially in sharpness of the 2.0x extenders. But I did not find any satisfacturing test and comparison. THere os one webpage thats rather dedicated on this topic: www.traumflieger.de They compared resolution of the different tele converters here: http://www.traumflieger.de/objektivtest/open_test/telekonverter/overview.php (on a 5D Mark II). A comparison of Kenko and Canon extenders can be found under http://www.traumflieger.de/objektivtest/telekonverter/telekonverter_check.php and http://www.traumflieger.de/desktop/telekonverter/konvertertest2.php (seems like on Canon APS-C).
Additionally to these tests I wanted to know a little more about the influence of aperture. Therefore I created a stable (studio-like) setup with two flashes and a black background. I shot the following series of images (all @max zoom):
- 70-200 w/o extender @200mm f/2.8, f/4, f/5.6, f/8, f/11 and f/22
- KenkoTeleplus PRO 300 DG 1.4x @280mm f/4, f/5.6, f/8, f/11 and f/22
- Canon EF 1.4x II @280mm f/4, f/5.6, f/8, f/11 and f/22
- Canon EF 2.0x II @400mm f/5.6, f/8, f/11 and f/22
- Kenko Teleplus Pro 300 DG 1.4x & Canon 1.4x II @392mm f/8, f/11 and f/22
- Kenko Teleplus Pro 300 DG 1.4x & Canon 2.0x II @560mm f/8, f/11 and f/22.
- Canon 1.4x II & Canon 2.0x II @560mm f/8, f/11 and f/22
This was a little bit changed compared to my original plan but I dropped the test @ minimum zoom as well as some combinations because they were simply not possible mounting due to build. Therefore combinations were mounted “camera-1.4-2.0-lens”.
In this test will not give you a lot of numbers because I’m too less expirienced in that (anyone like to help? I send you all the images!). I’d rather give you the images and my opinion. Ten you can see what was my impression and can make up your mind as well.
SETUP

Canon 5D Mark II on a tripod, horizontally aligned with the iPhone box on the glass table. All shots were taken with the Canon EF 70-200 f/2.8 L IS USM with IS turned off and a pol filter attached to minimize reflections. Cable release and mirror lock option was used to minimize vibrations. I focused manually on the “Safari”-text in live view @10x magnification to get best results. I tried to keep the focus area in center because there is the the best sharpness / resolution to be espected. I used a black backdrop, ambient light was the same all the time (night). Finally I put up two flashes (2x Nikon SB-26). I toggled flash power down (on both flashes) with lower apertures to get equal lighting following this scheme:
- 1/1 @ f/22,
- 1/4 @ f/11,
- 1/8 @ f/8,
- 1/16 @ f/5.6,
- 1/32 @f/4.0 and
- 1/64 for f/2.8.
I reviewed the images on my 1920×1200 HP monitor as well as on two dedicated imaging monitors with 5 Megapixels each to get a better side by side impression in full resolution.
So far so good. Stable environment, all set up. Let’s go on to the…
RESULTS
A)First see a comparison on zoom ratios
w/o teleconverter
200-1, ursprünglich hochgeladen von martin zeile photography
Kenko Telepuls Pro 300 1.4x
14k-1, ursprünglich hochgeladen von martin zeile photography
Canon 1.4x II
14c-1, ursprünglich hochgeladen von martin zeile photography
Canon 2.0x II
20c-1, ursprünglich hochgeladen von martin zeile photography
Kenko 1.4x & Canon 1.4x II
14k-14c-1, ursprünglich hochgeladen von martin zeile photography
Kenko 1.4x & Canon 2.0x II
14k-20c-1, ursprünglich hochgeladen von martin zeile photography
Canon 1.4x II & Canon 2.0x II
14c-20c-1, ursprünglich hochgeladen von martin zeile photography
B) Now full size crops from the RAW files at different f-stops – converted to jpeg, quality 100%
B.1) Sorted by applied converters
You can download full size pictures by followin to my flickr page and clicking on “all sizes”.
w/o teleconverter
70-200 w/o teleconverter, ursprünglich hochgeladen von martin zeile photography
Kenko Teleplus Pro 300 1.4x
Kenko Teleplus Pro 300 1.4x DG, ursprünglich hochgeladen von martin zeile photography
Canon 1.4x II
Canon EF 1.4x II, ursprünglich hochgeladen von martin zeile photography
Canon 2.0x II
Canon EF 2.0x II, ursprünglich hochgeladen von martin zeile photography
Kenko 1.4x & Canon 1.4 x II
Kenko Teleplus Pro 300 DG 1.4x plus Canon EF 1.4x II, ursprünglich hochgeladen von martin zeile photography
Kenko 1.4x & Canon 2.0x II
Kenko Teleplus Pro 300 DG 1.4x plus Canon EF 2.0x II, ursprünglich hochgeladen von martin zeile photography
Canon 1.4x II & Canon 2.0x II
Canon EF 1.4x II plus Canon EF 2.0x II, ursprünglich hochgeladen von martin zeile photography
B2) Sorted by f-stops (f/5.6 and f/8 only) – 1st without interpolation, 2nd interpolated to match sizes of all images
f/5.6 w/o interpolation
f5.6 comparison, ursprünglich hochgeladen von martin zeile photography
f/5.6 interpolated
f5.6 zoomed comparison, ursprünglich hochgeladen von martin zeile photography
f/8 w/o interpolation
f8 comparison, ursprünglich hochgeladen von martin zeile photography
f/8 interpolated
f8 zoomed comparison, ursprünglich hochgeladen von martin zeile photography
CONCLUSION
First to say I was quite surprised of the quality of the teleconverters. AS pointed out in http://www.traumflieger.de/objektivtest/open_test/telekonverter/overview.php, lost of resolution is more to the edges than in the center (on Canon 5D Mark II with Canon EF 70-200 f/4 L IS USM @max aperture).
In my opinion it is mandatory to have a high quality lens to start with. In the above mentioned test it was a the Canon EF 70-200 f/4 L IS USM which was stated to have a higher resolution tahn the f/2.8 version that I used. But according to some another articles I remember this is only true for APS-C sensors (get http://eflens.com and click through the review list of both lenses to get more details. I don’t know the exact source but I’m 100% sure about it), on full frame sensors the f/2.8 version is sharper.
The Kenko and the Canon 1.4x teleconverters showed no significant difference in my test. I got the impression that the Kenko enlarged slightly more but this was neglectable. Sharpness was as far as I can say equal. In the above article, sharpness loss was:
Kenko 1.4x : center -122, enlarged center -471, edges -671
Canon 1.4x : center -101, enlarged center -489, edges -474
Canon 2.0x: center -494, enlarged center -471, edges -646
Kenko loses a little more to the edges compared to the Canon 1.4x, the Canon 2.0x is quite homogenously but starts with more sharpness loss in the center, rest is comparable to the others. I neither saw any difference between the 1.4x’s, but limitation of my test is that I focused the object in the center only. I exspected more quality loss for the 2.0x but was really surprised by the good sharpness it delivers, though I did not really measure it, just looked at the images side by side and let my eye decide. There it is perhaps useful to mention that I as radiologist am used to compare images all day long therefore I state for myself that I am in some manner experienced in that stuff.
As you can see, a lowest aperture the images look a little blurred with and without converter, that’s a normal thing to experience even with high end lenses. Stopped down by one or better two f-stops, blur was gone and the impression of sharpness was equal throughout the whole tested range with the suspicion of a slight drop @ f/22.
If you compare all crops at f/8 I think there is no real significant difference in overall sharpness. But considering the longer focal range you gain a lot more detail @ 400 mm and 560 mm compared to the base of 200mm. Even combinations of converters are really good, and two 1.4x’s are almost equal to one 2.0x.
This leads me to my…
RECOMMANDATIONS
1.4x’s
The Canon EF 1.4x II has a little performance benefit to the edges, but in the center it is the some compared to the Kenko. It also matches the color of the grey L lenses which could be important to some of you. Build quality feels better but weight is higher with approx. 200 grams compared to approx. 130 g on the Kenko side.
The KenkoTeleplus PRO 300 DG 1.4x has the advantage that you can mount it on every lens, the Canon is restricted to some zoom lenses (I post details on that later). Weight and sharpness was discussed right above. The price tag is about 90 € less which can be the argument for you, espacially if you are using APS-C sensors where sharpness loss to the edges is not so important
Final conclusion:
To get the highest quality go for the Canon 1.4x II especially on full frame sensors. If price and using the extender on other than some selected Canon L-lenses matters more to you, the Kenko Teleplus Pro 300 DG 1.4x is the better choice
2.0x and combination of 1.4x and 2.0x vs. other lenses (as mentioned at the beginning)
In my opinion this extender is very good and has a solid build (and matches the color of my 70-200). Sharpness loss is well compensated by the gain of focal length. I definatly keep my Canon EF 2.0x II and I will combine it frequently with the Canon 1.4x because quality is better if you shoot @560 mm than @200mm and then crop it to the focus of interest. It does’nt really mater which converter you combine with the 2.0x. Both perform almost equally with a slight favor to the Canon 1.4x but considering the price tag the decision could go for a lot of you towards the Kenko 1.4x.
Final conclusions:
In my opinion the 2.0x teleconverter is a good alternative to the costs that would involve buying another longer lens. E.g. a Canon EF 100-400 costs 1400€, the 2.0x about 330€ which will give you a 140-400 mm lens with f/5.6 compared to f/4.5-5.6. Quality should be almost comparable and weight is much lower Additionally it gives you the opportunity to go down to 70 mm and f/2.8 in my example of the 70-200 f/2.8 with the disadvantage of mounting or unmounting the extender.
Prime lenses will always be better but come with the restriction of only one focal length – and of course they come with a price. If money does not matter to you and you can carry a bunch of heavy lenses around – or just need exactly on focal length, go for them! AF will be better and sharpness will be flawless for sure. APerture will be really good as well – depending on your extra budget invested.
If you still do not own a good lens like a Canon EF 70-200 f/2.8 or f/4 L (IS) USM or similar from another brand , the Canon EF 100-400 mm f/4.5-5.6 L IS USM, Sigma AF 80-400mm f/4.5-5.6 EX APO OS, Sigma 150-500 mm f/5-6.3 DG OS APO HSM can be options for you. All have image stabilization, I don’t know if there are big differences between Canon and Sigma, therfore see the reviews at the end of the article, perhaps they give you a hint.
Considering the low price of under 820€ (Sigma 150-500) and 900€ (Sigma 80-400) are good and cheap options. I tried the 150-500 myself in a store and was quite pleased by its performance, sharpness- and AF-wise. The 80-400 has EX build (Canon L-like build) shorter focal length but higher aperture. To decide between both is more a matter of what you will put it to use for. I added some reviews at the end of the article to help you decide better. The Canon, as always. compared to the Sigma is more expensive with around 1400€. It has a solid build (L-quality) and same aperture as the Sigma 80-400 and no real difference in focal length. To decide wether to go for the cheaper Sigmas or the Canon is mainly on what you like to spend, in my opinion quality of the Canon is really good, but see reviews at the end of the article to help you decide better.
For myself, not only shooting wild-life and sports it is no good choice. I would miss the capability to shoot at f/2.8 for portrait photography and nearer fast moving objects. As well as the wider focal range down to 70 as a addition to my Canon EF 24-105 f/4 L IS USM. But this is rather personal and dependent on what you already own. Money-wise it is a quite higher investment of approx. 2000 € (1470 € + 330 € + 300 €) compared to approx. 770 €.
My choice will be both Canon extenders and I will be happy to have either a 70-200 f/2.8, a98-280 mm f/4, a 140-400 mm f/5.6 or a 196-560 mm f/5.6* lens depending on what I’m shooting. I have to admit that with two extenders AF becomes a little sloppy / hunting for focus and does not work well for fast moving objects. But for now, until I earn too much money than I can spend and buying me a big prime I am quite happy with my choice!
I hope this helps you decide. For me it was very interesting to do it. If you have questions – or answers, suggestions or if I got something totally wrong (which I hope not) leave a comment or write me an email.
Thanks for reading and stay tuned to my blog.
Cheers, Martin
—
Appendix: Reviews
1) Canon EF 100-400 mm f/4.5-5.6 L IS USM
http://www.slrgear.com/reviews/showproduct.php/product/77/cat/11
http://www.fredmiranda.com/reviews/showproduct.php?product=19&sort=7&cat=myprod&page=1
http://www.photozone.de/canon-eos/204-canon-ef-100-400mm-f45-56-usm-l-is-test-report–review
http://www.the-digital-picture.com/Reviews/Canon-EF-100-400mm-f-4.5-5.6-L-IS-USM-Lens-Review.aspx
2) Sigma AF 80-400mm f/4.5-5.6 EX APO OS
http://www.slrgear.com/reviews/showproduct.php/product/219/cat/31
http://www.fredmiranda.com/reviews/showproduct.php?product=223&sort=7&cat=37&page=3
http://www.the-digital-picture.com/Reviews/Sigma-80-400mm-f-4.5-5.6-EX-DG-OS-Lens-Review.aspx
3) Sigma 150-500 mm f/5-6.3 DG OS APO HSM
http://www.slrgear.com/reviews/showproduct.php/product/1183/cat/31
http://www.fredmiranda.com/reviews/showproduct.php?product=358&sort=7&cat=37&page=1
4) Extenders
http://www.slrgear.com/reviews/showcat.php/cat/62
http://www.the-digital-picture.com/Reviews/Canon-Extender-EF-1.4x-II-Tele-Converter-Review.aspx
http://www.the-digital-picture.com/Reviews/Canon-Extender-EF-2x-II-Teleconverter-Review.aspx
in German:
http://www.traumflieger.de/objektivtest/open_test/telekonverter/overview.php
http://www.traumflieger.de/objektivtest/telekonverter/telekonverter_check.php
http://www.traumflieger.de/desktop/telekonverter/konvertertest2.php
*f/5.6 at least is what my camera lets me dial down to. I don’t yet know if it is true or just a bug in the software and it is really a f/8. I will find that out and add it to the article soon.
Lightroom 2.4 and Camera RAW 5.4 available
•Wednesday, 24. June 2009 • Leave a CommentWhat has changed?
See here: http://blogs.adobe.com/lightroomjournal/
Canon EOS 5D Mark II Custom Firmware with audio meter und blinkies: Magic Lantern Firmware open source project
•Tuesday, 23. June 2009 • 1 Comment
A friend of mine (thanks Nils) just sent me an email about a very interesting open source project – the Magic Lantern Canon 5D Mark II custom firmware (!!!). It is based on the 1.1.0 fw by Canon which recently enabled manual video controls. So what does it?
- On-screen audio meters
- Disabled AGC
- Manual gain control
- Zebra stripes (video peaking) [or what photographers call blinkies]
- Crop marks for 16:9, 2.35:1 and 4:3
To find out more follow this link: http://magiclantern.wikia.com/wiki/Magic_Lantern_Firmware_Wiki or see a demo video under http://vimeo.com/5267475?pg=embed&sec=
Very cool, I think. If anybody tried it I would be eager to know more about it.
It is still public beta, you can download it here: http://www.osresearch.net/~hudson/magiclantern-0.1.2.zip
Keep the following in mind though [written by the authors of the custom firmware:
-
“THIS IS DANGEROUS AND MIGHT DAMAGE YOUR CAMERA. NO WARRANTIES. NO GUARANTEES. DO NOT TAUNT. IF IT BREAKS, YOU GET TO KEEP BOTH PIECES.
This software is not fully functional yet. The Err70 bug is still somtimes affecting recording while drawing to the screen.
Do not use this for production work: if you can’t deal with a lost take or dropped frame or other problem, you shouldn’t be running it!”
-
That’s it lads, ’till next time..
Canon EF 1.4x II , EF 2.0x II and Kenko Teleplus PRO 300 DG 1.4x Extender comparison. Project plan. In depth review coming soon…
•Monday, 22. June 2009 • 3 CommentsQuite frustrating to find some comparison and real world evaluation of the Canon / non-Canon Extenders in the web, isn’t it? So I decided to do a stable environment comparison of the Canon EF 1.4x II, CAnon EF 2.0x II and Kenko Teleplus PRO 300 DG 1.4x Extender myself. I will test the mexlusivly on my Canon EF 70-200 f/2.8 L IS USM lens.
Following tests will be evaluated:
70-200 w/o Ext @70mm f/4, f/5.6, f/8, f/11 and f/22; @200mm f/4, f/5.6, f/8, f/11 and f/22
Kenko 1.4x @98mm f/4, f/5.6, f/8, f/11 and f/22; @280mm f/4, f/5.6, f/8, f/11 and f/22
Canon 1.4x @98mm f/4, f/5.6, f/8, f/11 and f/22; @280mm f/4, f/5.6, f/8, f/11 and f/22
Canon 2.0x @140mm f/5.6, f/8, f/11 and f/22; @400mm f/5.6, f/8, f/11 and f/22
Combinations will be mounted body - 1.4x – 2.0x – lens & body – 2.0x – 1.4x – lens:
Canon 1.4x & Canon 2.0x @196mm f/8, f/11 and f/22; @560mm f/8, f/11 and f/22
Canon 2.0x & Canon 1.4x @196mm f/8, f/11 and f/22; @560mm f/8, f/11 and f/22
Kenko 1.4x & Canon 2.0x @196mm f/8, f/11 and f/22; @560mm f/8, f/11 and f/22
Canon 2.0x & Canon 1.4x @196mm f/8, f/11 and f/22; @560mm f/8, f/11 and f/22.
I plan to post the coparison on pixel to pixel basis and of crops. In the end what practically really matters is if you do not lose too much detail over zoom length because what use is a converter if you got a blurry picture tha you could have gained at a lower resolution but sharp…
This wil ltake some time and I will post the results after thorough evaluation with a lot of screenshots so that you can draw your own conclusion additionally to mine.
If you have any additional suggestings on the test what to include feel free to post a comment



















